www.trailernet.org

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	<title>www.trailernet.org</title>
	<link>http://www.trailernet.org</link>
	<description>www.trailernet.org</description>
	<pubDate>Mon, 11 Jun 2012 13:19:55 +0000</pubDate>
	<generator>http://www.trailernet.org</generator>
	<language>en</language>
	
		
	<item>
		<title>TRAILER @ CASCO II</title>
				
		<link>http://trailernet.org/TRAILER-CASCO-II</link>

		<comments>http://trailernet.org/following/trailernet.org/TRAILER-CASCO-II</comments>

		<pubDate>Mon, 11 Jun 2012 13:19:55 +0000</pubDate>

		<dc:creator>www.trailernet.org</dc:creator>
		
		<category><![CDATA[ON TOUR, 2011]]></category>

		<guid isPermaLink="false">3568406</guid>

		<description>(For Dutch, scroll down)
Trailer was invited once again to participate in a debate by Casco (Utrecht, NL) and Agency's (Bruxelles, BE) project The Grand Domestic Revolution.

One of Agency's previous debates that Trailer attended was concerning copyright in the cooking industry but this time it was dealing with childrens costumes. Agency, who's artistic practice consists, partly, of studying court cases filed this case under 'Thing 001062'.  Besides Trailer, Agency invited a diverse group of related guests to “respond” on the witnessing of 'Thing 001062'. The discussion showed how countries use different strategies to protect intellectual property, and by doing so, creating a labyrinth of many complex rules, thus creating many gabs to escape the system.

&#60;img src="http://payload63.cargocollective.com/1/7/249442/3568406/jointrtd.jpg" width="591" height="260" width_o="591" height_o="260" src_o="http://payload63.cargocollective.com/1/7/249442/3568406/jointrtd_o.jpg" data-mid="20399008"  border="0" align="left"/&#62;

(Nederlands)
Trailer werd opnieuw uitgenodigd deel te nemen aan een debat van Casco (Utrecht, NL) en Agency's (Brussel, BE) project The Grand Domestic Revolution.

Waar in het vorige debat dat Trailer bezocht de controversie rondom auteursrechten van kookrecepten centraal stond, ging het gesprek ditmaal in op de eventuele gerechtelijke toepassing van het auteursrecht op bestaande kinderkostuums. Agency, die o.a. het bestuderen van rechtzaken tot artistiek medium heeft gemaakt, stelde het pinguïnpak genaamd 'Thing 001062' centraal en creëerden het begin van een uitgebreide discussie. De discussie toonde een doolhof van regels in de mode industrie (per land verschillend) en de en de juridische manieren deze alsnog te omzeilen. </description>
		
		<excerpt>(For Dutch, scroll down) Trailer was invited once again to participate in a debate by Casco (Utrecht, NL) and Agency's (Bruxelles, BE) project The Grand Domestic...</excerpt>

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	<item>
		<title>TRAILER @ CASCO</title>
				
		<link>http://trailernet.org/TRAILER-CASCO</link>

		<comments>http://trailernet.org/following/trailernet.org/TRAILER-CASCO</comments>

		<pubDate>Mon, 11 Jun 2012 13:05:56 +0000</pubDate>

		<dc:creator>www.trailernet.org</dc:creator>
		
		<category><![CDATA[ON TOUR, 2009]]></category>

		<guid isPermaLink="false">3568282</guid>

		<description>(For Dutch, scroll down)
Trailer was invited to participate in the debate of project The Grand Domestic Revolution, organized by Casco (Utrecht, NL) in cooperation with Agency (Bruxelles, BE).

Agency summoned things which speculate around the question: can chefs be considered as authors? Thing 000848 (Healthy Habit Cookbook) and Thing 000851 (Great Tasting Recipes) convene an assembly in order to bear witness. These things concern a controversy around the writing of cooking recipes. Agency invited a diverse group of concerned guests at ACU as the ‘translators’ for these things: ‘Bouillon Magazine’ editor Will Jansen, chef Dennis Steur, copyright researchers Tim Braakman and Marieke de Rooij (curatorial collective Trailer), Samir Allioui and Dirk Poot (Dutch Pirate Party) and others.

&#60;img src="http://payload63.cargocollective.com/1/7/249442/3568282/casco.png" width="443" height="305" width_o="443" height_o="305" src_o="http://payload63.cargocollective.com/1/7/249442/3568282/casco_o.png" data-mid="20399134"  border="0" align="left"/&#62;&#60;img src="http://payload63.cargocollective.com/1/7/249442/3568282/casco2.png" width="443" height="318" width_o="443" height_o="318" src_o="http://payload63.cargocollective.com/1/7/249442/3568282/casco2_o.png" data-mid="20399135"  border="0" align="left"/&#62;
(Nederlands)
Trailer was uitgenodigd deel te nemen aan een debat van het project The Grand Domestic Revolution van Casco (Utrecht, NL) in samenwerking met Agency (Brussel, NL).

Agency bracht naar voren hoe chefkoks ook wel beschouwd kunnen worden als auteurs. Er heerst veel controversie in het schrijven van recepten en de daarmee gepaard gaande auteursrechten. Aan de hand van twee overeenkomstige taart recepten 'Thing 000848 (bron: Healthy Habit Cookbook) en 'Thing 000851' (bron: Great Tasting Recipes) werd deze kwestie voorgelegd aan diverse gespreksdeelnemers die ieder vanuit hun vakgebied hun mening deelden.






</description>
		
		<excerpt>(For Dutch, scroll down) Trailer was invited to participate in the debate of project The Grand Domestic Revolution, organized by Casco (Utrecht, NL) in cooperation...</excerpt>

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	<item>
		<title>TRAILER @ ARMUT MACHT GEIL</title>
				
		<link>http://trailernet.org/TRAILER-ARMUT-MACHT-GEIL</link>

		<comments>http://trailernet.org/following/trailernet.org/TRAILER-ARMUT-MACHT-GEIL</comments>

		<pubDate>Mon, 11 Jun 2012 05:23:19 +0000</pubDate>

		<dc:creator>www.trailernet.org</dc:creator>
		
		<category><![CDATA[ON TOUR, 2010]]></category>

		<guid isPermaLink="false">3565307</guid>

		<description>&#60;img src="http://payload63.cargocollective.com/1/7/249442/3565307/43984182_640.jpeg" width="640" height="430" width_o="800" height_o="537" src_o="http://payload63.cargocollective.com/1/7/249442/3565307/43984182_o.jpeg" data-mid="20199976"  border="0" align="left"/&#62;  

(For Dutch, scroll down)
Trailer and the editors of Trailer Magazine #1 were invited by TAC (Eindhoven, NL) to give a presentation about the CopyClash exhibition at the No Budget Festival: Armut Macht Geil. 

During the talk Trailer commented on Alex Kozinski's statement: ‘Overprotecting intellectual property is as harmful as underprotecting it.’ Ending with Nate Harrison's audio-recording Can I Get an Amen?, which explains the course of a six-second sample that spawned several entire subcultures which ended decades later by copyright barriers.

&#60;img src="http://payload63.cargocollective.com/1/7/249442/3565307/TAC copy.jpg" width="335" height="500" width_o="335" height_o="500" src_o="http://payload63.cargocollective.com/1/7/249442/3565307/TAC copy_o.jpg" data-mid="18455639"  border="0" align="left"/&#62;
(Nederlands)
Trailer en de hoofdredactrices van Trailer Magazine #1 waren uitgenodigd door TAC (Eindhoven, NL) om tijdens het No Budget Festival: Armut Macht Geil een presentatie te geven over de tentoonstelling CopyClash. 

Trailer nam het citaat van Alex Kozinski als startpunt: "Overprotecting intellectueel property is as harmful as underprotecting it." Aan de hand hiervan werden diverse dilemma's rondom het huidige copyrightstelsel aangekaart en besproken met het publiek. Het gesprek werd afgesloten met een audio-opname van Nate Harrison genaamd Can I Get an Amen?, waarin uitgelegd en hoorbaar wordt hoe een gelijknamig, 6-seconden durend stukje gesamplede muziek meerdere generaties en subculturen heeft beïnvloedt. De ontwikkeling van deze van oorsprong vrijgegeven sample raakt tientallen jaren later alsnog verstrikt in auteursrechtelijke regelgeving.</description>
		
		<excerpt>    (For Dutch, scroll down) Trailer and the editors of Trailer Magazine #1 were invited by TAC (Eindhoven, NL) to give a presentation about the CopyClash...</excerpt>

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	<item>
		<title>Trailer Magazine#1 &#124; CopyClash</title>
				
		<link>http://trailernet.org/Trailer-Magazine-1-CopyClash</link>

		<comments>http://trailernet.org/following/trailernet.org/Trailer-Magazine-1-CopyClash</comments>

		<pubDate>Wed, 06 Jun 2012 10:22:59 +0000</pubDate>

		<dc:creator>www.trailernet.org</dc:creator>
		
		<category><![CDATA[PUBLICATION, 2010]]></category>

		<guid isPermaLink="false">3540070</guid>

		<description>(For Dutch, scroll down)
Trailer Magazine functions as the theoretical backbone to any Trailer exhibition and offers thematically linked essays, interviews, columns and much more. Trailer likes to offer this publication to visitors of Trailer exhibitions.



Trailer Magazine #1 &#124; CopyClash
During the opening of the exhibition CopyClash at Roodkapje, Trailer officially released it's first issue of Trailer Magazine. This publication is thematically linked to the exhibition CopyClash. It is dealing with a wide range of copyright issues and offers various standpoints using relevant essays, interviews, columns, in depth stories about participating artists and lots more.

To view Trailer Magazine in full screen mode please click the magazine image. If you prefer a printed copy please send us an email!

&#60;img src="http://payload62.cargocollective.com/1/7/249442/3540070/_LIN2394 copy_klein_640.jpg" width="640" height="417" width_o="768" height_o="500" src_o="http://payload62.cargocollective.com/1/7/249442/3540070/_LIN2394 copy_klein_o.jpg" data-mid="20199821"  border="0" align="left"/&#62;
(Nederlands)
Trailer Magazine fungeert als de theoretische aanvulling op iedere Trailer tentoonstelling. Het biedt thematisch aansluitende betogen, interviews, columns en nog veel meer. Trailer biedt dit magazine graag aan bezoekers van haar tentoonstellingen aan.

Trailer Magazine #1 &#124; CopyClash
Tijdens de opening van de tentoonstelling CopyClash bij Roodkapje Rot(t)terdam heeft Trailer haar eerste nummer van Trailer Magazine uitgegeven. Deze publicatie sluit thematisch aan op de tentoonstelling en aan de hand van belangrijke teksten, interviews, columns in theorie geeft het een brede kijk op zaken rondom intellectueel eigendom en op deelnemende kunstenaars.

Om Trailer Magazine fullscreen te kunnen bekijken bekijken klik je op het magazine plaatje. Heb je liever een fysiek exemplaar, stuur ons dan een email!

</description>
		
		<excerpt>(For Dutch, scroll down) Trailer Magazine functions as the theoretical backbone to any Trailer exhibition and offers thematically linked essays, interviews, columns...</excerpt>

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		<media:thumbnail url="http://payload62.cargocollective.com/1/7/249442/3540070/prt_1338996218.gif" />

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	<item>
		<title>CopyClash</title>
				
		<link>http://trailernet.org/CopyClash</link>

		<comments>http://trailernet.org/following/trailernet.org/CopyClash</comments>

		<pubDate>Wed, 06 Jun 2012 10:17:11 +0000</pubDate>

		<dc:creator>www.trailernet.org</dc:creator>
		
		<category><![CDATA[EXHIBITION, 2010]]></category>

		<guid isPermaLink="false">3540039</guid>

		<description>&#60;img src="http://payload62.cargocollective.com/1/7/249442/3540039/_LIN2478 copy_klein.jpg" width="640" height="411" width_o="778" height_o="500" src_o="http://payload62.cargocollective.com/1/7/249442/3540039/_LIN2478 copy_klein_o.jpg" data-mid="18443743"  border="0" align="left"/&#62;
(For Dutch, scroll down)
In the CopyClash exhibition, visitors will find works of art or popular culture that will highlight problems and new perspectives in intellectual property law. The exhibition is best described by a quote of Federal Courts' judgde Alex Kozinkski: ‘Overprotecting intellectual property is as harmful as underprotecting it.’

Exhibition
Our cultural innovation has always been guaranteed by building upon the works and ideas of others. Especially in our digital era many works are being barricaded by copyrights or other forms of intellectual property law. This endangers the nature of our cultural innovative ecosystem by eroding the cultural soil, essential for the growth of new cultures.

The works in CopyClash and the corresponding magazine show how cultural innovation is held back by the clashing borders of today’s intellectual property, copyrights, originality, authenticity and plagiarism.
In order to protect our cultural richness we are in need of new approaches that create a better balance between the availability of cultural goods and the reward or protection of it’s authors.

Research centre
All research material for CopyClash is collected and presented in the research centre at the exhibition space. Visitors can sit back and enjoy a selection of relevant films, books, texts, documentaries, essays and other related material.

Artists
Dennis de Bel (NL) &#38; JODI (BE/NL), Ondrej Brody (CZ) &#38; Kristofer Paetau (FI), Bea Correa (BR/NL), Peter Fischli (CH) &#38; David Weiss (CH), Nate Harrison (US), Patrick Liddell (US), OkGO! (US), Evan Roth (US), Ad Schouten (NL), Wieden+Kennedy (US)

Opening &#38; Release Trailer Magazine #1
During the opening of CopyClash, at Meent 125, Rot(t)terdam Roodkapje, Trailer will officially release the first issue of Trailer Magazine. This publication offers many other perspectives using relevant essays, interviews, columns, in depth stories about the artists and a lot more.

&#60;img src="http://payload62.cargocollective.com/1/7/249442/3540039/_LIN2337 copy_klein.jpg" width="640" height="431" width_o="742" height_o="500" src_o="http://payload62.cargocollective.com/1/7/249442/3540039/_LIN2337 copy_klein_o.jpg" data-mid="18443727"  border="0" align="left"/&#62;&#60;img src="http://payload62.cargocollective.com/1/7/249442/3540039/_LIN2344 copy_klein.jpg" width="640" height="419" width_o="763" height_o="500" src_o="http://payload62.cargocollective.com/1/7/249442/3540039/_LIN2344 copy_klein_o.jpg" data-mid="18443728"  border="0" align="left"/&#62;&#60;img src="http://payload62.cargocollective.com/1/7/249442/3540039/_LIN2373 copy_klein.jpg" width="640" height="380" width_o="843" height_o="500" src_o="http://payload62.cargocollective.com/1/7/249442/3540039/_LIN2373 copy_klein_o.jpg" data-mid="18443730"  border="0" align="left"/&#62;&#60;img src="http://payload62.cargocollective.com/1/7/249442/3540039/_LIN2389 copy_klein.jpg" width="385" height="500" width_o="385" height_o="500" src_o="http://payload62.cargocollective.com/1/7/249442/3540039/_LIN2389 copy_klein_o.jpg" data-mid="18443732"  border="0" align="left"/&#62;&#60;img src="http://payload62.cargocollective.com/1/7/249442/3540039/_LIN2408 copy_klein.jpg" width="640" height="428" width_o="748" height_o="500" src_o="http://payload62.cargocollective.com/1/7/249442/3540039/_LIN2408 copy_klein_o.jpg" data-mid="18443735"  border="0" align="left"/&#62;&#60;img src="http://payload62.cargocollective.com/1/7/249442/3540039/_LIN2412 copy_klein.jpg" width="640" height="417" width_o="768" height_o="500" src_o="http://payload62.cargocollective.com/1/7/249442/3540039/_LIN2412 copy_klein_o.jpg" data-mid="18443736"  border="0" align="left"/&#62;&#60;img src="http://payload62.cargocollective.com/1/7/249442/3540039/_LIN2416 copy_klein.jpg" width="640" height="426" width_o="751" height_o="500" src_o="http://payload62.cargocollective.com/1/7/249442/3540039/_LIN2416 copy_klein_o.jpg" data-mid="18443737"  border="0" align="left"/&#62;&#60;img src="http://payload62.cargocollective.com/1/7/249442/3540039/_LIN2447 copy_klein.jpg" width="350" height="500" width_o="350" height_o="500" src_o="http://payload62.cargocollective.com/1/7/249442/3540039/_LIN2447 copy_klein_o.jpg" data-mid="18443738"  border="0" align="left"/&#62;&#60;img src="http://payload62.cargocollective.com/1/7/249442/3540039/_LIN2459 copy_klein.jpg" width="640" height="394" width_o="812" height_o="500" src_o="http://payload62.cargocollective.com/1/7/249442/3540039/_LIN2459 copy_klein_o.jpg" data-mid="18443739"  border="0" align="left"/&#62;&#60;img src="http://payload62.cargocollective.com/1/7/249442/3540039/_LIN2476 copy_klein.jpg" width="640" height="418" width_o="766" height_o="500" src_o="http://payload62.cargocollective.com/1/7/249442/3540039/_LIN2476 copy_klein_o.jpg" data-mid="18443740"  border="0" align="left"/&#62;&#60;img src="http://payload62.cargocollective.com/1/7/249442/3540039/_LIN2480 copy_klein.jpg" width="640" height="415" width_o="772" height_o="500" src_o="http://payload62.cargocollective.com/1/7/249442/3540039/_LIN2480 copy_klein_o.jpg" data-mid="18443744"  border="0" align="left"/&#62; 
(Nederlands)
Bezoekers vinden in de tentoonstelling CopyClash kunstwerken of andere culturele uitingen die uitlichten welke problemen en nieuwe perspectieven bestaan rondom auteursrechten wetgeving. In de tentoonstelling wordt dit samengevat door een quote van rechter Alex Kozinkski van de Amerikaanse 'Federal Court': ‘Overprotecting intellectual property is as harmful as underprotecting it.’

Tentoonstelling
In onze cultuur wordt vernieuwing gewaarborgd door voort te bouwen op de werken en ideeën van anderen. Met name in onze digitale cultuur worden werken echter steeds vaker gebarricadeerd door copyright of andere vormen van intellectueel eigendom. Het gevaar is dat onze cultureel-innovatieve slagader hierdoor dreigt dicht te slibben. 

De werken in CopyClash en bijbehorend magazine tonen aan hoe culturele vernieuwing hapert door de botsing tussen de huidige grenzen van intellectueel eigendom, auteursrecht, originaliteit, authenticiteit en plagiaat. 
Om de rijkheid van onze cultuur te beschermen zal moeten worden gezocht naar nieuwe wegen die de balans tussen de beschikbaarheid van culturele goederen en de beloning of bescherming van de auteur waarborgen. 

Research centrum
Het onderzoeksmateriaal van CopyClash is verzameld en is aangeboden in het researchcentrum. Hier kon genoten worden van een selectie relevant film-materiaal, teksten, documentaires, boeken, essays en ander gerelateerd materiaal. 

Kunstenaars
Dennis de Bel (NL) &#38; JODI (BE/NL), Ondrej Brody (CZ) &#38; Kristofer Paetau (FI), Bea Correa (BR/NL), Peter Fischli (CH) &#38; David Weiss (CH), Nate Harrison (US), Patrick Liddell (US), OkGO! (US), Evan Roth (US), Ad Schouten (NL), Wieden+Kennedy (US)

Opening &#38; lancering Trailer Magazine #1
Tijdens de opening van CopyClash lanceert Trailer officieel haar eerste nummer van Trailer Magazine. Deze publicatie vult de tentoonstelling aan door het aanbieden van velen vele alternatieve standpunten, relevante teksten, interviews, columns en theoretische achtergrond.


Pictures by / Foto's door:
Alina Parigger

Supported by / Ondersteund door:

&#60;img src="http://payload62.cargocollective.com/1/7/249442/3540039/stokroos zwart_web.jpg" width="60" height="104" width_o="60" height_o="104" src_o="http://payload62.cargocollective.com/1/7/249442/3540039/stokroos zwart_web_o.jpg" data-mid="18443376"  border="0" align="left"/&#62;&#60;img src="http://payload62.cargocollective.com/1/7/249442/3540039/logo_ms_bw_web.jpg" width="58" height="60" width_o="58" height_o="60" src_o="http://payload62.cargocollective.com/1/7/249442/3540039/logo_ms_bw_web_o.jpg" data-mid="18443374"  border="0" align="left"/&#62;&#60;img src="http://payload62.cargocollective.com/1/7/249442/3540039/Volkskracht-StichtingVolkskracht_zw-wit_web.jpg" width="63" height="60" width_o="63" height_o="60" src_o="http://payload62.cargocollective.com/1/7/249442/3540039/Volkskracht-StichtingVolkskracht_zw-wit_web_o.jpg" data-mid="18443377"  border="0" align="left"/&#62;&#60;img src="http://payload62.cargocollective.com/1/7/249442/3540039/SNS_logo_stapel_BL_WEB_web.jpg" width="71" height="60" width_o="71" height_o="60" src_o="http://payload62.cargocollective.com/1/7/249442/3540039/SNS_logo_stapel_BL_WEB_web_o.jpg" data-mid="18443453"  border="0" align="left"/&#62;</description>
		
		<excerpt> (For Dutch, scroll down) In the CopyClash exhibition, visitors will find works of art or popular culture that will highlight problems and new perspectives in...</excerpt>

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		<media:thumbnail url="http://payload62.cargocollective.com/1/7/249442/3540039/prt_1338996035.gif" />

	</item>
		
		
	<item>
		<title>TRAILER @ STUKAFEST</title>
				
		<link>http://trailernet.org/TRAILER-STUKAFEST</link>

		<comments>http://trailernet.org/following/trailernet.org/TRAILER-STUKAFEST</comments>

		<pubDate>Wed, 06 Jun 2012 10:07:53 +0000</pubDate>

		<dc:creator>www.trailernet.org</dc:creator>
		
		<category><![CDATA[ON TOUR, 2011]]></category>

		<guid isPermaLink="false">3540007</guid>

		<description> 
(For Ductch, scroll down)
Trailer was asked to come up with a shortened version of the Oplaad-Bioscoop-I program for Stukafest 2011. Trailer made a short compilation of youtube material combined with a supporting voice-over. The result was an informative yet entertaining movie on contemporary intellectual property law. It is addressing growing problems as well as showing some hilarious examples of the good and the bad sides of the current system.

&#60;img src="http://payload62.cargocollective.com/1/7/249442/3540007/andy_oplaad_def72.jpg" width="421" height="595" width_o="421" height_o="595" src_o="http://payload62.cargocollective.com/1/7/249442/3540007/andy_oplaad_def72_o.jpg" data-mid="20302174"  border="0" align="left"/&#62;
(Nederlands)
Trailer werd uitgenodigd om voor Stukafest 2011 een samengevatte versie van het programma van Oplaad Bioscoop I te presenteren.
 
Speciaal voor Stukafest heeft Trailer een korte compilatie van Youtube materiaal gemaakt. Met een begeleidende voice-over is het geselecteerde materiaal tot een informatief maar laagdrempelig en vermakelijk geheel ge-edit. Het kaart zowel de serieuze problemen als wel de komische gevolgen van hedendaags intellectueel eigendom aan.
</description>
		
		<excerpt>  (For Ductch, scroll down) Trailer was asked to come up with a shortened version of the Oplaad-Bioscoop-I program for Stukafest 2011. Trailer made a short...</excerpt>

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	</item>
		
		
	<item>
		<title>Oplaad Bioscoop I</title>
				
		<link>http://trailernet.org/Oplaad-Bioscoop-I</link>

		<comments>http://trailernet.org/following/trailernet.org/Oplaad-Bioscoop-I</comments>

		<pubDate>Wed, 06 Jun 2012 10:06:28 +0000</pubDate>

		<dc:creator>www.trailernet.org</dc:creator>
		
		<category><![CDATA[EVENT, 2010]]></category>

		<guid isPermaLink="false">3539990</guid>

		<description>(For Dutch, scroll down)
Oplaad Bioscoop (Upload Cinema) is an event that is directly linked to the exhibition CopyClash. In the spirit of open source software it offers a film program that is arranged by the audience itself. By voting, the audience could choose  a film program that best explains what's their opinion on copyright law. The result was a diverse range of short movies from the web on the topic of intellectual property.

&#60;img src="http://payload61.cargocollective.com/1/7/249442/3539990/DSC01589_adj_klein_640.jpg" width="640" height="428" width_o="747" height_o="500" src_o="http://payload61.cargocollective.com/1/7/249442/3539990/DSC01589_adj_klein_o.jpg" data-mid="20198862"  border="0" align="left"/&#62;
(Nederlands)
Oplaad Bioscoop is een evenement dat direct verbonden is met de tentoonstelling CopyClash. Geheel in de sfeer van open source software biedt het een film programma dat door het publiek wordt samengesteld door te stemmen. Het resulteerde in een zeer diverse selectie (internet) films met het onderwerp intellectueel eigendom.</description>
		
		<excerpt>(For Dutch, scroll down) Oplaad Bioscoop (Upload Cinema) is an event that is directly linked to the exhibition CopyClash. In the spirit of open source software it...</excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload61.cargocollective.com/1/7/249442/3539990/prt_1338995108.gif" />

	</item>
		
		
	<item>
		<title>Copyright 2010</title>
				
		<link>http://trailernet.org/Copyright-2010</link>

		<comments>http://trailernet.org/following/trailernet.org/Copyright-2010</comments>

		<pubDate>Wed, 06 Jun 2012 10:03:25 +0000</pubDate>

		<dc:creator>www.trailernet.org</dc:creator>
		
		<category><![CDATA[EVENT, 2010]]></category>

		<guid isPermaLink="false">3539945</guid>

		<description>(For Dutch, scroll down)
With their flying artwork Copyright 2010 Dennis de Bel and JODI challenge Google's intention to copyright our entire reality. During the opening of Festival De Wereld of Witte de With (2010) they would have given a live demonstration of this work, would it not be for the bad weather circumstances. This event is based on their collaborative work in the exhibition Copyclash.

Artist Dennis de Bel talks about his work in Trailer Magazine #1, (p. 34 &#38; 35; in Dutch).

&#60;img src="http://payload61.cargocollective.com/1/7/249442/3539945/flyerDennis-1.500px.jpg" width="360" height="500" width_o="360" height_o="500" src_o="http://payload61.cargocollective.com/1/7/249442/3539945/flyerDennis-1.500px_o.jpg" data-mid="18442884"  border="0" align="left"/&#62;
(Nederlands)
Met hun vliegende kunstwerk Copyright 2010 willen Dennis de Bel en JODI samen de strijd aangaan met Google en diens intentie om auteursrechten te claimen over onze gehele realiteit. Dit evenement is gebaseerd op hun gezamenlijke werk in de tentoonstelling Copyclash. De performance stond gepland tijdens Festival De Wereld van Witte de With (2010) in de lucht boven het festival terrein maar vanwege slecht weer is dit evenement op een later publiek zonder publiek uitgevoerd.

Kunstenaar Dennis de Bel praat over zijn werk in Trailer Magazine #1 (p. 34 &#38; 35).</description>
		
		<excerpt>(For Dutch, scroll down) With their flying artwork Copyright 2010 Dennis de Bel and JODI challenge Google's intention to copyright our entire reality. During the...</excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload61.cargocollective.com/1/7/249442/3539945/prt_1338994811.gif" />

	</item>
		
		
	<item>
		<title>For Security Reasons</title>
				
		<link>http://trailernet.org/For-Security-Reasons</link>

		<comments>http://trailernet.org/following/trailernet.org/For-Security-Reasons</comments>

		<pubDate>Wed, 06 Jun 2012 09:33:34 +0000</pubDate>

		<dc:creator>www.trailernet.org</dc:creator>
		
		<category><![CDATA[EXHIBITION, 2009]]></category>

		<guid isPermaLink="false">3539763</guid>

		<description>(For Englisch, scroll down)
The exhibition For Security Reasons investigates the balance between safety and playfulness and displays a critical point of view on the latest developments in security. The exhibited art shows where there is space for playfulness in a society where security measures are more or less inviolable.

In order to ensure our national security we have been introduced to camera surveillance, Civilian net, telephone taps, RFID-chip, alarm phase orange, preventive body-searches, vagabond-prevention-strips, coffeeshop free areas around schools, the behind-the-front-door policy, the Mosquito, the Taser, the public transport chip card, a ban on public gatherings and the zero-tolerance policy. We observe each other and every single suitcase due to the 'together against terrorism' campaigns.

For many people security measures are experienced as positive and effective. However well intended though, they limit our actions. The exhibition For Security Reasons investigates the balance between safety and playfulness and displays a critical point of view on the latest developments in security. The exhibited art shows where there is space for playfulness in a society where security measures are more or less inviolable.

Desiree Palmen escapes the all-seeing eye of a security camera whilst being perfectly visible to the public on the street. Harmen de Hoop interprets security as a space for playfulness and vice versa. Fabian Bechtle and Stefan Reuter show original graffiti in a compelling choreography. The gigantic work of art by Stylianos Schicho makes you shrink and offers an impression of the masses seen from the perspective of a security camera. The work of Jeroen Jongeleen seems to balance between playful mischief and urban criminality. By discarding the rules, he turns the city into an urban playground. The news of the future by Antoine Schmitt is on show 24/7 in the window of the showroom. SpY's 'invisible' intervention will take place outside the doors of showroom MAMA and Sander Veenhof will implement interactive technology to create invisibility in public space.

Artists:
Stylianos Schicho (AT), Jeroen Jongeleen (NL), SpY (ES), Harmen de Hoop (NL), Antoine Schmitt (FR), Desiree Palmen (NL), Fabian Bechtle / Stefan Reuter (DE), Sander Veenhof (NL)

For Security Reasons is the result of the Rookies MA course (the continuation of the Mr Miyagi course).

&#60;img src="http://payload61.cargocollective.com/1/7/249442/3539763/_DSC383472dpi.jpg" width="640" height="425" width_o="753" height_o="500" src_o="http://payload61.cargocollective.com/1/7/249442/3539763/_DSC383472dpi_o.jpg" data-mid="18297334"  border="0" align="left"/&#62;&#60;img src="http://payload61.cargocollective.com/1/7/249442/3539763/_DSC386072dpi.jpg" width="640" height="408" width_o="785" height_o="500" src_o="http://payload61.cargocollective.com/1/7/249442/3539763/_DSC386072dpi_o.jpg" data-mid="18297339"  border="0" align="left"/&#62;&#60;img src="http://payload61.cargocollective.com/1/7/249442/3539763/_DSC389872dpi.jpg" width="640" height="425" width_o="753" height_o="500" src_o="http://payload61.cargocollective.com/1/7/249442/3539763/_DSC389872dpi_o.jpg" data-mid="18297343"  border="0" align="left"/&#62;&#60;img src="http://payload61.cargocollective.com/1/7/249442/3539763/_DSC390872dpi.jpg" width="368" height="500" width_o="368" height_o="500" src_o="http://payload61.cargocollective.com/1/7/249442/3539763/_DSC390872dpi_o.jpg" data-mid="18297346"  border="0" align="left"/&#62;&#60;img src="http://payload61.cargocollective.com/1/7/249442/3539763/_DSC399772dpi.jpg" width="395" height="500" width_o="395" height_o="500" src_o="http://payload61.cargocollective.com/1/7/249442/3539763/_DSC399772dpi_o.jpg" data-mid="18297349"  border="0" align="left"/&#62;&#60;img src="http://payload61.cargocollective.com/1/7/249442/3539763/_DSC402172dpi.jpg" width="640" height="425" width_o="753" height_o="500" src_o="http://payload61.cargocollective.com/1/7/249442/3539763/_DSC402172dpi_o.jpg" data-mid="18297359"  border="0" align="left"/&#62;&#60;img src="http://payload61.cargocollective.com/1/7/249442/3539763/_DSC402872dpi.jpg" width="640" height="425" width_o="753" height_o="500" src_o="http://payload61.cargocollective.com/1/7/249442/3539763/_DSC402872dpi_o.jpg" data-mid="18297366"  border="0" align="left"/&#62;
&#60;img src="http://payload61.cargocollective.com/1/7/249442/3539763/tramshelterDesireePalmen.jpg" width="380" height="285" width_o="380" height_o="285" src_o="http://payload61.cargocollective.com/1/7/249442/3539763/tramshelterDesireePalmen_o.jpg" data-mid="18297540"  border="0" align="left"/&#62;&#60;img src="http://payload61.cargocollective.com/1/7/249442/3539763/web_Bechtle_Reuter_MagicColorz4.jpg" width="380" height="283" width_o="380" height_o="283" src_o="http://payload61.cargocollective.com/1/7/249442/3539763/web_Bechtle_Reuter_MagicColorz4_o.jpg" data-mid="18297542"  border="0" align="left"/&#62;&#60;img src="http://payload61.cargocollective.com/1/7/249442/3539763/web_stylianos_200x300cm_Gamblers_2009_.jpg" width="380" height="229" width_o="380" height_o="229" src_o="http://payload61.cargocollective.com/1/7/249442/3539763/web_stylianos_200x300cm_Gamblers_2009__o.jpg" data-mid="18297543"  border="0" align="left"/&#62;&#60;img src="http://payload61.cargocollective.com/1/7/249442/3539763/web0040.jpg" width="380" height="284" width_o="380" height_o="284" src_o="http://payload61.cargocollective.com/1/7/249442/3539763/web0040_o.jpg" data-mid="18297545"  border="0" align="left"/&#62;
(Nederlands)
De tentoonstelling For Security Reasons zoekt de balans tussen veiligheid en speelsheid en geeft een kritische kijk op de laatste veiligheidsontwikkelingen. De werken in de tentoonstelling laten zien waar de ruimte ligt voor speelsheid in een maatschappij waar veiligheidsmaatregelen haast onschendbaar zijn.

In het kader van onze nationale veiligheid hebben we de afgelopen jaren o.a. kennis kunnen maken met camerasurveillance, Burgernet, telefoontaps, RFID-chip, alarmfase oranje, preventief fouilleren, zwerver-preventie-strips, coffeeshopvrije gebieden rond scholen, het achter-de-voordeur beleid, de Mosquito, de Taser, de OV-chipkaart, samenscholingverboden, het BSN-nummer en het zero-tolerance beleid. Dankzij de 'samen tegen terrorisme' campagnes letten we op elkaar en op elk eenzaam koffertje.

Veiligheidsmaatregelen worden door veel mensen als positief en effectief ervaren. Maar, hoe goed ze ook bedoeld zijn, ze beperken ieders bewegingsvrijheid. De tentoonstelling For Security Reasons zoekt de balans tussen veiligheid en speelsheid en geeft een kritische kijk op de laatste veiligheidsontwikkelingen. De werken in de tentoonstelling laten zien waar de ruimte ligt voor speelsheid in een maatschappij waar veiligheidsmaatregelen haast onschendbaar zijn.

Zo ontsnapt Desiree Palmen aan het alziende oog van de beveiligingscamera, terwijl ze nadrukkelijk zichtbaar is voor de voorbijgangers op straat. Harmen de Hoop ziet in veiligheid ruimte voor spel en vice versa. Fabian Bechtle en Stefan Reuter tonen originele graffiti met een meeslepende choreografie. Het reusachtige werk van Stylianos Schicho doet je krimpen en geeft een impressie van de massa vanuit het perspectief van een beveiligingscamera. Jeroen Jongeleen gebruikt de stad als publieke speeltuin. Het toekomstnieuws van Antoine Schmitt is 24/7 te zien in de etalage van MAMA. De 'onzichtbare' interventie van SpY vindt plaats buiten de deuren van de showroom en Sander Veenhof gebruikt interactieve technologie om onzichtbaarheid te creëren in de openbare ruimte.

Kunstenaars:
Stylianos Schicho (AT), Jeroen Jongeleen (NL), SpY (ES), Harmen de Hoop (NL), Antoine Schmitt (FR), Desiree Palmen (NL), Fabian Bechtle / Stefan Reuter (DE), Sander Veenhof (NL)

For Security Reasons is het resultaat van de Rookies MA cursus (een voortzetting van de Mr. Miyagi cursus).


Pictures by / Foto's door:
Alina Parigger

Supported by / Ondersteund door:
&#60;img src="http://payload61.cargocollective.com/1/7/249442/3539763/gemeente_rotterdam.jpg" width="240" height="60" width_o="240" height_o="60" src_o="http://payload61.cargocollective.com/1/7/249442/3539763/gemeente_rotterdam_o.jpg" data-mid="18297588"  border="0" align="left"/&#62;&#60;img src="http://payload61.cargocollective.com/1/7/249442/3539763/stichting_bevordering_volkskracht.jpg" width="240" height="60" width_o="240" height_o="60" src_o="http://payload61.cargocollective.com/1/7/249442/3539763/stichting_bevordering_volkskracht_o.jpg" data-mid="18297589"  border="0" align="left"/&#62;</description>
		
		<excerpt>(For Englisch, scroll down) The exhibition For Security Reasons investigates the balance between safety and playfulness and displays a critical point of view on the...</excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload61.cargocollective.com/1/7/249442/3539763/prt_1338992982.jpg" />

	</item>
		
		
	<item>
		<title>Play</title>
				
		<link>http://trailernet.org/Play</link>

		<comments>http://trailernet.org/following/trailernet.org/Play</comments>

		<pubDate>Wed, 06 Jun 2012 08:42:24 +0000</pubDate>

		<dc:creator>www.trailernet.org</dc:creator>
		
		<category><![CDATA[EVENT, 2009]]></category>

		<guid isPermaLink="false">3539390</guid>

		<description>(For Dutch, scroll down)
Trailer was asked to organize the official opening party of the 10th edition of Festival De Wereld van Witte de With (2009) in collaboration with MAMA. It took place at Gay Palace, Rotterdam.

The opening party, Play, connected the overall festival theme 'Crossing borders!' to the exhibition For Security Reasons, which tried to redefine the balance between play, security, freedom and control. Without compromises the party Play served as a podium that stretched the edges of control. The audience was mostly overwhelmed by FCKNBSTRDS' performance. Totally absurd, half naked and assisted by live made chaotic noise, the anarchistic artist collective got the crowd along in jumping and rolling on the floor. Due to security measures the somewhat provocative performance had to be ended prematurely, however their statement was made clearly. They were followed up by a lovely playful set of Flipperkast (pinball machine) Soundsystem (NL) And the big name of the night, hardcore punk band Aux Raus, finally ended the night full of energy with their compelling technobeats.

Line-up: 
AUXRAUS (NL), X-Ray (BE), Kypski (NL), Flipperkast soundsystem (NL), of FCKNBSTRDS (NL), Mikrobot (NL), Silna (NL), Pornologic (NL) and Funkie010 (NL)

&#60;img src="http://payload61.cargocollective.com/1/7/249442/3539390/Aux-Raus-2911_AuxRaus1.jpg" width="223" height="250" width_o="223" height_o="250" src_o="http://payload61.cargocollective.com/1/7/249442/3539390/Aux-Raus-2911_AuxRaus1_o.jpg" data-mid="18528361"  border="0" align="left"/&#62;&#60;img src="http://payload61.cargocollective.com/1/7/249442/3539390/Screen shot 2012-06-13 at 12.47.38 PM.png" width="167" height="250" width_o="167" height_o="250" src_o="http://payload61.cargocollective.com/1/7/249442/3539390/Screen shot 2012-06-13 at 12.47.38 PM_o.png" data-mid="18528365"  border="0" align="left"/&#62;&#60;img src="http://payload61.cargocollective.com/1/7/249442/3539390/flipperkast.jpg" width="250" height="250" width_o="250" height_o="250" src_o="http://payload61.cargocollective.com/1/7/249442/3539390/flipperkast_o.jpg" data-mid="18528426"  border="0" align="left"/&#62;
(Nederlands)
Trailer werd gevraagd om samen met MAMA het officiële openingsfeest van de 10e editie van Festival De Wereld van Witte de With (2009) te organiseren. Het vond plaats in Gay Palace.

Het openingsfeest, Play, verbond het algehele festivalthema ‘Over grenzen!’ met de tentoonstelling For Security Reasons, die de balans tussen spel en veiligheid,  vrijheid en controle opnieuw probeert te definiëren. De party Play probeerde een compromisloos en speels podium te bieden om de grens die controle oplegt op te rekken. Het publiek werd met name overweldigt door de performance van FCKNBSTRDS. Totaal absurd, halfnaakt en begeleid door live chaotische noize liet het anarchistische kunstcollectief zich rollend en springend van hun beste kant zien. Om veiligheidsredenen moest de ietwat provocerende performance eerder stoppen, maar het statement was gezet. Zij werden afgewisseld door de speelse set van Flipperkast Soundsystem (NL). De grote trekker van de avond, hardcore punk band Aux Raus, sloot de avond vol energie af met snoeiharde technobeats.

Line-up : 
AUXRAUS (NL), X-Ray (BE), Kypski (NL), Flipperkast soundsystem (NL), of FCKNBSTRDS (NL), Mikrobot (NL), Silna (NL), Pornologic (NL) and Funkie010 (NL)


Supported by / ondersteund door: 

&#60;img src="http://payload61.cargocollective.com/1/7/249442/3539390/Logo_Rotterdam_Festivals_rgb.jpg" width="147" height="60" width_o="147" height_o="60" src_o="http://payload61.cargocollective.com/1/7/249442/3539390/Logo_Rotterdam_Festivals_rgb_o.jpg" data-mid="18528552"  border="0" align="left"/&#62;&#60;img src="http://payload61.cargocollective.com/1/7/249442/3539390/LogoWWW_2009.jpg" width="60" height="60" width_o="60" height_o="60" src_o="http://payload61.cargocollective.com/1/7/249442/3539390/LogoWWW_2009_o.jpg" data-mid="18528553"  border="0" align="left"/&#62;</description>
		
		<excerpt>(For Dutch, scroll down) Trailer was asked to organize the official opening party of the 10th edition of Festival De Wereld van Witte de With (2009) in...</excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload61.cargocollective.com/1/7/249442/3539390/prt_1344856980.jpg" />

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